Michael Rolland Davis
Executive Director
The Ivory Classics Foundation

(Japanese Version here)
012.23.2009 New release Compositions and Transcriptions
06.07.2009 New release In Concert Volume 2 'Concertos'
11.18.2008 Download legendary recordings!
11.08.2008 2 New releases In Concert Volume 1, Rachmaninoff Variations, Sonata No. 2, Preludes
08.27.2008 Watch Grammy tribute to Earl Wild
01.19.2008 GRAMMY honor Earl Wild received on February 5th 2008
01.19.2008 Review of new DVD by MusicWeb.com
Wild on Video

Earl Wild has many CDs currently available on the Ivory Classics label. To view and purchase them from their secure on-line-store click www.IvoryClassics.com.

The Salute To Classical Music - Grammy event, Feb. 5th at Disney Hall in LA

On February 5th 2008, Earl Wild was given the honor of receiving the President's Merit Award from Neil Portnow, President of the Recording Academy (NARAS) - the GRAMMY organization, at a ceremony held in Disney Hall in Los Angeles, celebrating the 50th Anniversary of the Recording Academy at the Salute to Classical Music during GRAMMY week. Mr. Wild came out of retirement and performed two Chopin works (Nocturne Op.15, No.2 and the Fantaisie-Impromptu)

Review on DVD release

Stupendous! There are two DVDs in this collection containing nearly six hours of Earl Wild's Liszt performances and there is an additional two hours of audio material. The recitals were given in 1986 at "Wynyard" a large country house in the Tees Valley in the North East of England that had belonged to the Ninth Marquess and before that to generations of the Marquesses of Londonderry. The house and grounds were sold the following year to Sir John Hall. The concerts marked the centenary of Liszt's death.

Wild gave three recitals there before a select audience and each was captured in its entirety on a non-professional set-up. The sound and vision therefore are in no way to be considered up to contemporary standards. There is a single camera and it remains static for much of the time, which has its advantages, in its close focus on Wild. Inevitably dynamics don't register with as much immediacy as one might hope, and there is a disclaimer regarding the treble voicings of the Steinway sent to the House from London. These facts having been duly noted let me advise confirmed Wildeans, and indeed Lisztians to ignore the foregoing - they shouldn't consider it to be at all limiting - and to consider the opening word of this review 'Stupendous!'

Wild's playing throughout all three recitals - he plays without music of course - is cut from legendary cloth. He was then in his early seventies - at the time of writing he's in his early nineties - but plays with astonishing accuracy, bravura and poetry. The hands are a complete blur, a positive Braque of colour, in the Second Ballade even though here, and throughout, his stance is still, concentrated and without any extraneous gestures (he has some scathing things to say in the audio segment about the "eyes to the heaven" merchants who populate concert halls). Jeux d'eau is wonderfully voiced, so rich and poetic, the Fantasia quasi Sonata gripping from the first bars, the Valse oubliée No.1 playful and skittish; as a treat we hear an encore of the Respighi Notturno.

The recital Liszt the Transcriber includes the transcription of Beethoven's First Symphony - and dare one say that one listens to a piano work in Wild's hands without the burning need to hear the orchestra? Maybe not, but nearly. Everything Wild touches turns to prismic gold; the touch is wonderful, the technique assured, equal to all torrential demands, and the conception - the mind animating the fingers - of stellar architectural understanding. The encore here, the Larghetto from the Second Chopin Concerto in Wild's arrangement, is gorgeous. And so it goes, through the Virtuoso recital that rightly crowns the three with its tension inducing feats of brilliance. The sonata performance is, in my experience, pretty much second only to Horowitz's. As with the etudes he essays, the results in this recital are simply transcendent. And how appropriate that Wild announces the Op.16 No.2 Scherzo by Liszt's pupil d'Albert as an encore.

On BBC Television in 1974 with that urbane and charming man, the late Robin Ray, Wild elucidates his thoughts and performs the d'Albert scherzo, the Pertrach sonnet, Gnomenreigen, La Campanella and the Chopin Grande Polonaise in E flat. The other TV appearances find Wild in later years, though still as personable and amusing. He plays a little of his Marcello Oboe concerto slow movement transcription (not noted - hear it in its full glory on an Ivory Classics CD).

The audio component is full of sagacious and naughty nuggets. "Banging is for the bedroom" is one - current klaviertigers, please note. Lang Lang is "pure vaudeville." He talks extensively about Toscanini and valuably so given his NBC connections. In the Mannes interview he's on even wittier, bantering form. He talks about transposition - he has a thing about transposing Chopin into keys that work better for him - recording, and refers to the unfortunate Lang Lang once again, this time to call him "the J Lo of the Piano." With John Amis back in 1986, the year of the "Wynyard" recitals, we get engaging vignettes and a real sense of conviviality and shared amusement between the two men. We get a Martinu story, some fun stuff concerning Suppe overtures and an impromptu improvisation in the style of Poulenc.

I will add a minor disappointment. Navigation is difficult. You can't navigate between items and will have to fast forward within the recitals. That's if you feel the need to do so. I think you'd be better off clearing the decks for the evening, stocking up with a bottle of single malt and, given Wild's acts of Lisztian bravura, a mechanical device to keep your jaw from dislocating itself of its own volition.

Recital Reviews

29 November 2005, The official 90th Birthday Recital in Carnegie Hall in New York City
8 November 2005, Solo recital in Charleston, South Carolina
25 September 2005, Amsterdam Concertgebouw
23 July 2005, Mannes School International Keyboard Institute and Festival


Pianists Abroad and at Home, Alone with the Black Beast, The New York Observer
MUSIC; 90? Who's 90? Just Give Him a Piano, New York Times
At 90, This Pianist and Composer Is Master of the 88s, The Wall Street Journal
At 90, a Romantic Virtuoso Keeps Gratifying Expectations - A Chat With the Pianist, The New York Sun
He's still fine-tuning it, Los Angeles Times
Pianist Earl Wild isn't slowing down at 90, Associated Press
Wild thing, The Buffalo News Inc.,

Earl Wild's Recovery

Update on Earl Wild's health - April 22, 2005
I'm happy to report that Earl Wild has almost fully recovered from his heart bypass surgery last September. He as regained his strength and is back at the piano 2 to 3 hours a day now. He is busy preparing his recital program for this summer and fall's 90th Birthday concerts. He's enjoying being able to once again sit at the piano and play whenever he wants. The piano has been his life since he was three years old and it gives him tremendous pleasure to be able to sit down and play again - he doesn't need an audience. That doesn't mean he doesn't enjoy performing in public. He's looking forward to performing again. I hope everyone who reads this will try to attend one of his 90th Birthday concerts this year. There is a complete list of his 90th Birthday concerts (dates, city/country and venue) currently available if you click on the Performances link on the left. Mr. Wild is now a very fit 90 year old (having lost 30 pounds) - he's strong and healthy. In the last month he has had cataracts removed from each eye - an unfortunate by-product of the heart surgery, but he is seeing much better now. Thanks again to everyone for all your good wishes.

UpDate on Earl Wild's recovery - October 11, 2004
Earl Wild was released from the OSU Medical Center on October 3, 2004 and is recovering in his home in Columbus. He receives daily visits from home health care nurses and physical therapists who are working hard to speed his recovery. His Doctors are very pleased with all his progress to date. Although recovery from open heart surgery will be slow, Mr. Wild is recouperating very well and getting stronger each day. He's eager to return to work on his current compositions, in assisting Ivory Classics producer and label owner Michael Rolland Davis with some special upcoming CD releases and in preparing his recital program for his Ninetieth Birthday recital at Carnegie Hall, which remains scheduled for November 29, 2005. Notes and letters of encouragement may be sent in care of Ivory Classics.

Earl Wild is in Hospital - September 27, 2004
On Tuesday, September 21, 2004, Earl Wild underwent emergency open heart surgery at the Rhodes Hall / Ross Heart Hospital at the OSU Medical Center in Columbus, Ohio after experiencing sudden chest pain, dizziness and nausea on Saturday morning September 18th. Mr. Wild was released from the hospital's intensive (SICU) care unit on Thursday the 23rd following quadruple bypass surgery as well as surgery on his left side carotid artery that needed to be cleared. He is expected to make a full recovery.